2021
| Author | Title | Supervisor | Keywords | |
| 1 | Dimoglou, George | Spatial and Temporal Continuity in One-Shot Films: Editing Goes Into Hiding | Thanouli, Eleftheria | Spatial and Temporal Continuity, One-Shot Films, Continuity Editing. |
| 2 | Poutiou, Maria | Representation of Female Queer Characters on Contemporary Television: “Queerbaiting” and the “Bury Your Gays” Trope | Kaklamanidou, Despoina | Television, Queer Representation, Narrative Tropes (Queerbaiting, Bury Your Gays). |
| 3 | Zigneli, Marina | Abortion Narratives on Contemporary American Television (2004-2020) | Kaklamanidou, Despoina | Abortion, Television genres, Reproductive health rights. |
| 4 | Aktsoglou, Alkistis | Variations of Melodrama: The Case of Maria Plyta | Kaklamanidou, Despoina | Maria Plyta, melodrama, Greek cinema, genre |
| 5 | Koumaradios, Christos | Bacurau: Toward a New Revolutionary Cinema | Thanouli, Eleftheria | Innovative History Films, Revolutionary Cinema, Postmodern Age |
| 6 | Velaj, Euklida | On found footage horror films: Codes and conventions of a reality faking subgenre | Kaklamanidou, Despoina | Factual media aesthetics, Found footage horror films, Film genre |
| 7 | Lund, Nikolas | Strobology I: The Texture of Time | Kaklamanidou, Despoina | Acoustics, Cinematic frame rate, Optics |
| 8 | Panlina, Gianni | Millennial TV comedies as contemporary cult television: The case studies of “Fleabag” and “Ramy” | Abbott, Stacey | Cult television, Transgression, Life narratives, Comedy, Abjection, Authorial identity |